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| Annie
Stainer, Director of Total Theatre |
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'Changing
Woman'
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Long
Green Theatre Company, Edinburgh
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Suitcase
Circus...post show!
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From
Annie's short film, 'The Godmother'
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'Changing
Woman'
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'Moon'
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'The
Rhyme of The Ancient Mariner'
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Annie
& Emil Wolk
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| The
Fall of the House of Usher, with
Steven Berkoff |
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Annie
Stainer is an original
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She
studied at the London School of Contemporary Dance and Mime
with Etienne Decroux in Paris. She has performed in ensembles
with Lindsay Kemp, David Bowie, Emil Wolk and Steven Berkoff,
but is best known for her work in SOLO PHYSICAL THEATRE.
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She
began her solo career as mime/dancer with "The Legend
of Lilith", an epic work performed in various theatres
and churches, including the Cathedral of St John the Divine,
Manhattan, the world's biggest Cathedral.
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| "Moon",
her most celebrated work, received a Fringe First Award at the
Edinburgh Festival, and has since been performed all over the
world at Festivals in London, Belfast, Wroclaw, Berne, Palermo,
Salzburg, Amsterdam, Budapest, Jerusalem, Tokyo and New York.
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"Changing
Woman" premiered in Glasgow, Scotland; and was later
performed at the Festival of Perth, as part of the Annie Stainer
Trilogy.
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For
6 years Annie was Head of Movement at the Western Australian
Academy of Performing Arts. She left the Academy to resume
her own career as performer, film-maker, and free-lance teacher,
conducting workshops in Australia, Britain, Japan, New Zealand,
Singapore, Morocco, France, Switzerland, and Hungary.
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She
is an inspirational visionary and much loved teacher whose
work has travelled effortlessly around the world, weaving
its magic spell wherever she goes. Annie now brings this magic
to her very own School of Physical Theatre.
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Annie
Stainer:
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I see Perth as the perfect location for an intensive 'Total
Theatre" school. I myself trained in Paris and London,
and the pressures were enormous, in terms of finance, accommodation,
travel, etc. In Perth, students can afford to live well, eat
well, stay healthy and develop new talents at the right pace.
Performance opportunities are infinite, and the public is ready
to welcome the emergence of new creative artists." |
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